Giving the exhibition it’s full name Squaring the Circles of Confusion: Neo-Pictorialism in the 21st Century.
The exhibition is curated by Zelda Cheatle, RPS Honorary Fellow, and features work from Takashi Arai, Susan Derges, David George, Joy Gregory, Tom Hunter, Ian Phillips McLaren, Céline Bodin, and Spencer Rowell. The exhibition will be on display at RPS Gallery, Bristol from 9 September to 6 November 2022
Opening hours: Wednesday to Sunday, 10am – 5pm, free admission
Salt Printing is a contact printing process, which means that the final print will be the same size as your negative.
It was great to see the students immersed and having a great time making their own salt prints, all of which I’m happy to say turned out really well. It was a pleasure for me to see them working, enjoying and keeping this 183 year old process alive. Some of them even went back into the darkroom the following day to do more – happy days!
Personally, I think it’s fantastic that the head of the department at The School of Art, Architecture & Design push back the waves to make these masterclasses available to the BA photography students, giving them a larger creative tool-box, allowing them a wider visual language to express themselves.
It’s hard to imagine a time where there was no such thing as photography, especially today when everyone takes photographs.
Henry Fox Talbot’s discovery – making a negative in camera and using that negative to make multiple prints is the basis of all photography today. The Daguerrotype may historically mark the introduction of photography to the world but it only produced a single image.
Historically salt printing was thought to be dull and dead looking because it needed a contrasty negative for the long exposure scale – today with digital technology we can make digital negatives using curves in photoshop to suit salt printing and other alternative processes and creating prints with a beautiful longer tonal range.
Fine Art Prints on Japanese paper:
Some random prints that I made with the view to starting a project .
These images are printed as Limited Edition handcrafted archival prints, on hand coated Japanese Kozo paper. I may print these as open edition archival pigment Giclée prints ( which are more affordable ) if anyone is interested in them, they’d be printed on a similar Japanese Kozo paper.